The blues is the lingua franca on United We Swing: Best Of The Jazz At Lincoln Center Galas (Blue Engine), a new compilation of live performances featuring the Wynton Marsalis Septet. I spoke with Wynton recently about the new album for DownBeat.
I caught Alina Engibaryan, a young Armenian-Russian emigre, last night at the Jazz Standard, with a truly all-star band of sax legend Chris Potter, bassist Michael League (her producer), Taylor Eigsti on piano and Kendrick Scott on drums – wow! She occupies the jazz-pop-soul space carved out by artists like Stevie Wonder (think “You’ve Got It Bad, Girl”) and extends it, exploring the jazz implications more deeply. #AlinaEngibaryan #jazz
Kurt Elling has always been one of our most cerebral jazz singers, which is not to say he doesn’t swing like a mother. Over lunch and several glasses of Montepulciano at his favorite neighborhood pizzeria on the Upper West Side…
…we talked for nearly three hours about his new album, The Questions (Okeh), which he describes as both a reaction to the era of division and vitriol brought on by the Trump Administration, and an attempt to rise above it and consider more cosmic matters. To that end, the album features shattering, modern interpretations of Dylan’s “A Hard Rain’s A-Gonna Fall” and Paul Simon’s “American Tune;” it also includes lyrics he adapted from favorite poems by Wallace Stevens, Franz Wright, and Rumi, among others. The album, co-produced by Branford Marsalis, is one of my favorite discs of the year. Our discussion appears in the June issue of DownBeat, but you can read it here.
The great jazz singer, songwriter and pianist Bob Dorough passed away yesterday at 94. Perennially young and energetic, we thought he would go on forever. I saw him give a breezy, masterful performance at Jazz at Kitano four years ago, when he was 90. He sang and played like someone 30 years younger, with his pony tail and that patented Arkansas twang of his that, somehow, added to his hipster image. I interviewed him and reviewed the show for DownBeat. He will no doubt be best remembered for “Schoolhouse Rock,” for which he wrote and recorded many of the songs. But his great songbook also includes the immortal “Devil May Care,” “I’m Hip” (with Dave Frishberg), and “Nothing Like You Has Ever Been Seen Before.” He also holds the distinction of being one of the only vocalists ever to sing on a Miles Davis album (Sorcerer).
In August 2015, I witnessed his first meeting with Cecile McLorin Salvant following her performance at the Newport Jazz Festival. He presented her with a folio of some of his songs that he thought she might like. She was thrilled and subsequently added “Devil May Care” and “Nothing Like You” to her repertoire.
“Nothing like him,” indeed.
I spoke with The Manhattan Transfer’s Alan Paul and new member Trist Curless about the group’s great new album “The Junction,” its first in nearly a decade. It plays like a pop album, but an awfully hip one. Story in DownBeat Magazine.
Joining me in the Career Pathways in Jazz panel were (l-r) Prof. Jeff Lederer; guitarist Al Marino, and drummer Brad Sporkin.
I had the pleasure of moderating a panel discussion on “Career Pathways in Jazz” as part of L.I. University-C.W. Post’s annual “Jazz Day” on Saturday, March 3. Joining me in discussing what it takes to make a career in jazz (and other genres of music) were saxophonist/clarinetist and Post professor Jeff Lederer; recent Post music graduate and working guitarist Al Marino; and my friend, the drummer Brad Sporkin. We also had some great contributions from pianist/bandleader Richie Iacona, also a Post professor. Thanks so much to Jeff; LIU Director of Music Education Dr. Jennifer Miceli; and University Director of Arts Advancement Brian Hoeflschweiger for inviting me.
A moving and heartfelt tribute to the great jazz pianist and composer unfolded as a series of highlights by a high-wattage group of players including Terri Lyne Carrington (musical director), Esperanza Spalding, Lizz Wright, Dee Dee Bridgewater, Helen Sung, Vijay Iyer, Kris Davis, Tia Fuller, JD Allen, Jack DeJohnette, and many more. My review at DownBeat.com.