Joining me in the Career Pathways in Jazz panel were (l-r) Prof. Jeff Lederer; guitarist Al Marino, and drummer Brad Sporkin.
I had the pleasure of moderating a panel discussion on “Career Pathways in Jazz” as part of L.I. University-C.W. Post’s annual “Jazz Day” on Saturday, March 3. Joining me in discussing what it takes to make a career in jazz (and other genres of music) were saxophonist/clarinetist and Post professor Jeff Lederer; recent Post music graduate and working guitarist Al Marino; and my friend, the drummer Brad Sporkin. We also had some great contributions from pianist/bandleader Richie Iacona, also a Post professor. Thanks so much to Jeff; LIU Director of Music Education Dr. Jennifer Miceli; and University Director of Arts Advancement Brian Hoeflschweiger for inviting me.
Trumpeter Ingrid Jensen performs at the star-filled tribute to Geri Allen at Winter Jazzfest in NYC on January 15, 2018. That’s singer Lizz Wright and drummer Terri Lyne Carrington on the left. (Photo: Gulnara Khamatova)
A moving and heartfelt tribute to the great jazz pianist and composer unfolded as a series of highlights by a high-wattage group of players including Terri Lyne Carrington (musical director), Esperanza Spalding, Lizz Wright, Dee Dee Bridgewater, Helen Sung, Vijay Iyer, Kris Davis, Tia Fuller, JD Allen, Jack DeJohnette, and many more. My review at DownBeat.com.
At 56, Marsalis is among the youngest living artists ever inducted into the DownBeat Hall of Fame. If he had only been the leading trumpeter of his generation, there’s little doubt he eventually would have made it into the hallowed hall. But it’s his tireless work as an educator, bandleader, fundraiser, non-profit executive, and advocate for jazz and American culture that probably sealed the deal so soon. My interview with him, from the December 2017 DownBeat.
Antonio Adolfo performs at The Blue Note in Rio de Janeiro, Brazil, on Nov. 11. (Photo: Alexandre Moreira)
Although he may look more like a professor or kindly physician, Antonio Adolfo is, in reality, a killer pianist/arranger and master of samba jazz. In early November, the beginning of summer in Brazil, I went to the beautiful new Blue Note in Rio de Janeiro to get my samba fix. Adolfo led a septet that features some of the finest jazz musicians in Brazil. And then he introduced his guest, one of the great Bossa Nova singer/songwriters, Carlos Lyra. My story in DownBeat.
Didier Lockwood Trio at Igreja da Candalaria, Rio (photo by Beto Figueiroa, MIMO Festival)
Last week’s MIMO Festival-Rio was a musical bazaar including MPB (Brazilian pop), Afro-pop, Portuguese pop, jazz, salsa, and unclassifiable music from around the world. And it ended with a samba explosion to make traditional Brazilian music fans smile. Here’s my review in @DownBeatMag.
One of the most acclaimed clarinetists in jazz, Israeli-born Anat Cohen has somehow also managed to become one of the world’s foremost practitioners of Brazilian jazz. If you’d like to expand your appreciation of Brazilian music beyond the usual Bossa Novas, dig this hauntingly beautiful video. Then read my profile of her from the July 2017 DownBeat.
- With Anat Cohen, May 2017
Pianists Sullivan Fortner (above), Aaron Diehl, Dan Nimmer, and two excellent student pianists from Julliard (Micah Thomas and Joel Wenhardt) rocked the “House of Swing” in “The Fantastic Mr. Jelly Lord,” the JLCO season opener at Jazz at Lincoln Center last weekend. My review in DownBeat.