Category Archives: Quincy Jones

New York Voices Celebrate 30 Years of Harmony

The New York Voices are (l-r) Kim Nazarian, Peter Eldridge, Darmon Meader, and Lauren Kinhan.

This piece appeared in the November 2019 issue of DownBeat in slightly abbreviated form. (http://downbeat.com/news/detail/new-york-voices-reminisces-in-celebration-of-30th-anniversary). The full version is below.

The title track of The New York Voices’ latest album, Reminiscing in Tempo (Origin Records), was one of Duke Ellington’s first long-form compositions in the 1930s; Mel Tormé added the poignant lyrics in 1962. As they celebrate their 30th anniversary as a recording group, The Voices have plenty about which to reminisce, after decades of international touring and working alongside some of the biggest names in jazz including Bobby McFerrin, Paquito D’Rivera, Ray Brown, Jim Hall and the Count Basie Orchestra.

Founded in the mid-1980s at Ithaca College in upstate New York, they remain one of the world’s foremost jazz vocal groups. Originally a quintet, they became a quartet with the current lineup in 1994: tenor and saxophonist Darmon Meader, the group’s main arranger; baritone Peter Eldridge; and sopranos Lauren Kinhan and Kim Nazarian.

Their longevity is all the more remarkable considering that the four maintain separate careers as artists and jazz educators, and live far apart: Kim in Ohio, Darmon in upstate New York, Lauren on the East End of Long Island, and Peter in New Hampshire.

“We’re really the Eastern Time Zone Voices now,” Meader joked during a recent FaceTime chat with DownBeat. “But that doesn’t quite have a ring to it.”

Nazarian, speaking from her farm near Oberlin University (her husband, trombonist/producer Jay Ashby, teaches there), said, “The key word in our lives is balance, juggling… our personal and professional lives. Even though the Voices is not our primary money maker, it’s our priority job. No one wants to give up the legacy we’ve established as a group. We respect and love each other enough to make it work.”

They all have active careers in music education. Meader is an artist-in-residence at Indiana University; Eldridge teaches full-time at Berklee; Kinhan teaches at New York University; and Nazarian teaches at Ithaca College, often conducting voice lessons over Skype. In addition, the group leads two, week-long vocal jazz camps, at Western Michigan University in Kalamazoo, and at the Bavarian Music Academy in Marktoberdorf, Germany.

The group has become like an extended family over the last 30 years. “There have been more ups than downs,” Nazarian recalled. “We’ve never canceled a show, despite illnesses. Once, in Indonesia, Peter was so ill for a concert that he sat on a stool, and Lauren and I held him up. Also, I delivered my son the day after a concert in Utica, NY.”

Meader’s favorite memories include “the chance to work with people we respect so much, like Count Basie, Ivan [Lins], Paquito. I once had something like an out-of-body experience going over our charts with Ray Brown… And just the other day [at an August all-star Brazilian concert at] the Hollywood Bowl, Quincy Jones came back stage after the show. He asked us, “Who does your arrangements?” And he gave me a fist bump. Moments like that!

“The Voices takes up a smaller percentage of our time than in the past,” Meader said. “But our longevity means we have a big repertoire to choose from. And, when we get together, we’re like dance partners who have worked together for years. There’s a fair amount of practicing in hotel rooms. Sometimes we fly into gig a day early just to have some time together.”

The new album displays the group’s restless eclecticism. Co-produced by Grammy-winning engineer and longtime friend Elliot Scheiner, it includes vocal arrangements of jazz standards by Ellington, Dave Brubeck and Chick Corea; tunes by Fred Hersch (“A Dance For Me”), the Beatles (“In My Life”), Ivan Lins (“Answered Prayers” [É De Deus]), and even two vocal settings of works by Cuban classical composer Ignacio Cervantes. The stunning opening track, “Round, Round, Round (Blue Rondo à la Turk)” is a version of the Brubeck classic with lyrics by Al Jarreau, with additional vocalese lyrics by soprano Kinhan.

“We like to pick more obscure things, or incredibly challenging things, like ‘Blue Rondo,’” Nazarian said. “In 30 years, I think it is one of the hardest things we ever recorded. Memorizing those lyrics is mind-boggling – I don’t how Al Jarreau did it. But, after three decades, we’re still challenging ourselves. We’re not lowering keys, not slowing down tempos, not taking the easy road… We do what we teach. We try to set the bar and be the example of what we ask our students to do.”

The essence of New York Voices, Nazarian said, is that “we can sing what we record. Our performances often are better than the record. Our original goal, our career goal, is to bridge the gap between instrumental and vocal jazz. We are always referencing instrumental influences in our arrangements, in our performances and in our teaching.”

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Filed under Darmon Meader, Kim Nazarian, Lauren Kinhan, Music Writing and Clips, New York Voices, Peter Eldridge, Quincy Jones, Ray Brown, Vocal Jazz

Jacob Collier Snags 2 Grammys – my DownBeat int’w from August

jacob-collier-grammy-winner-youtuber

Back in August, I told y’all Jacob Collier was going to be very big. Now he’s won 2 Grammys for his debut album, In My Room.  Here’s my brief interview with him, from the Sept. 2016 DownBeat.  Congratulations, Jacob!  This is what arranging and singing genius sounds like. Well deserved.

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Jacob Collier is going to be very big.

Jacob_CollierMy DownBeat chat w/Jacob Collier (@JCollierMusic) is out now. Jacob is a musical phenom who sings up to 12-part harmony on his own songs and insane covers of songs like “Fascinating Rhythm” and “Meet The Flintstones.” And he plays every instrument in sight. It wouldn’t matter if he wasn’t a genius arranger – but he is.

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Coming soon – my Q&A with YouTube sensation Jacob Collier (@jcolliermusic)

Jacob Collier YouTubeThis is 21-year-old British singer-songwriter, musical polymath and YouTube sensation Jacob Collier. Yesterday I spoke with him via Skype from London, for an interview to be published in DownBeat Magazine. He was charming and articulate, and offered many insights into his singular musical process. His first album, on Quincy Jones’s Qwest Records, is due out July 1 – and it’s killer.

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Filed under Downbeat, Jacob Collier, Music Writing and Clips, Quincy Jones