The 2017 Newport Jazz Festival was, as usual, a showcase and a proving ground for great soloists. Here’s my recap, concentrating on a few of the finest performances I heard, including those of vocalist Cecile McLorin Salvant (above) who performed with the Aaron Diehl Trio; the Maria Schneider Orchestra; the Benny Golson Quartet; and the Christian McBride Big Band.
The item below is from Mr. Wein’s blog, “The Wein Machine.” Thanks to Carolyn McClair Public Relations for the heads-up.
More than 23,100 music lovers turned out July 31 – August 2 for the 2015 Newport Jazz Festival presented by Natixis Global Asset Management. Festival producer and Chairman of the Newport Festivals Foundation, George Wein, shares some thoughts on this year’s event in his regular blog, The Wein Machine.
In a DownBeat magazine review of the 2015 Newport Jazz Festival, Allen Morrison wrote that “a festival as significant and storied as Newport can be a force for good or evil, wielding influence far in excess of its three-day duration. Considering its provenance…it is more than a tastemaker, it’s a market-maker.”
I welcomed these words as I read them in DownBeat. Our staff works literally all year long to produce the Newport Folk and Jazz Festivals. We know that there’s a global influence in what we do with these two festivals. The jazz festival in particular has an international significance. Festival producers from all over the world join us to celebrate the beauty and glory that is jazz music.
Also, with all the young and emerging artists we present, there is the chance that you might be getting an early look at potential stars of the future. I have been producing Newport Jazz since 1954 and this year’s festival ranks with the finest I’ve had the privilege of creating.
Rain, Rain stayed away. And all the musicians came out to play. And play they did. To as enthusiastic an audience as I’ve ever seen. Every musician left the stage happy from their performance because of the way the audience received their musical contribution to the festival. Most important to it all is the spirit you, the audience, generates as the music from the different stages fills the air over the Narragansett Bay.
It’s difficult for me to recall any specific highlights because I was too busy running around in my Wein Machine, trying to hear as much as possible. But it is great to see how the festival continues to grow with a younger audience.
The question for me is what do we do next year? It is the same problem I have had for the past 61 years of my life. Keep in touch. I know we will figure out something.
See you at next year’s festival. The dates are July 29-31, 2016.
Dee Dee Bridgewater & band at Newport, August 1, 2014
Here’s the second installment of my two-part review of the 2014 Newport Jazz Festival for DownBeat. It’s my take on the special Friday night concert by Wynton Marsalis, the Jazz at Lincoln Center Orchestra and Dee Dee Bridgewater.
…for DownBeat. Here’s a great read abt it. #Newportjazz” http://ow.ly/zFavN