“There’s something really exhilarating about doing something terrifying,” she said, talking about her latest project, Ogresse, her song cycle/performance piece, which she is trying to turn into an animated feature film. For my vocal jazz column in Jazziz Magazine (Jan. 2021 issue), the supremely talented @CecileSalvant, a recently minted MacArthur fellow, spoke to me from Miami, where she was spending the holidays. A beautiful person and artist.
Category Archives: Aaron Diehl
Cecile McLorin Salvant on gratitude, pandemics, awards, and what scares her (Jazziz Magazine, Jan. 2021)
Filed under Aaron Diehl, Cecile McLorin Salvant, COVID-19, Jazziz, Sullivan Fortner
Separated by 50 Years, Israels, Diehl Find Common Ground (DownBeat)
Bassist Chuck Israels is 82, pianist Aaron Diehl is 33, but they have much in common, as they proved last week at Dizzy’s Club Coca-Cola at Jazz at Lincoln Center. Last week I did a joint interview with them for DownBeat, then reviewed their show. It was, for me, a personal reunion with both. I had previously profiled Aaron, whom I admire greatly, in Downbeat. The last time I saw Chuck was circa 1976, when, as a scruffy 21-year-old, I took his jazz workshop at SUNY Purchase.
Filed under Aaron Diehl, Chuck Israels
At 56, Wynton Marsalis Reflects on His Induction Into the DownBeat Hall of Fame
At 56, Marsalis is among the youngest living artists ever inducted into the DownBeat Hall of Fame. If he had only been the leading trumpeter of his generation, there’s little doubt he eventually would have made it into the hallowed hall. But it’s his tireless work as an educator, bandleader, fundraiser, non-profit executive, and advocate for jazz and American culture that probably sealed the deal so soon. My interview with him, from the December 2017 DownBeat.
Marsalis, JLCO Pay Tribute to Jelly Roll Morton
Pianists Sullivan Fortner (above), Aaron Diehl, Dan Nimmer, and two excellent student pianists from Julliard (Micah Thomas and Joel Wenhardt) rocked the “House of Swing” in “The Fantastic Mr. Jelly Lord,” the JLCO season opener at Jazz at Lincoln Center last weekend. My review in DownBeat.
2017 Newport Jazz Festival Highlights Soloists and Teamwork – my review in DownBeat.
The 2017 Newport Jazz Festival was, as usual, a showcase and a proving ground for great soloists. Here’s my recap, concentrating on a few of the finest performances I heard, including those of vocalist Cecile McLorin Salvant (above) who performed with the Aaron Diehl Trio; the Maria Schneider Orchestra; the Benny Golson Quartet; and the Christian McBride Big Band.
My 10 Best Jazz Albums of 2015 (Jazz Times)
Here’s a list of my favorite jazz CDs of 2015, as published in Jazz Times.
1. Tony Bennett & Bill Charlap, The Silver Lining: The Songs of Jerome Kern(RPM/Columbia)
2. Maria Schneider Orchestra, The Thompson Fields (ArtistShare)
3. Rez Abbasi Acoustic Quartet, Intents and Purposes (Enja)
4. London, Meader, Pramuk & Ross, The Royal Bopsters Project (Motéma)
5. Aaron Diehl, Space Time Continuum (Mack Avenue)
6. Dave Stryker, Messin’ With Mister T (Strikezone)
7. Rudresh Mahanthappa, Bird Calls (ACT)
8. Cécile McLorin Salvant, For One to Love (Mack Avenue)
9. Nilson Matta, East Side Rio Drive (Krian)
10. Luciana Souza, Speaking In Tongues (Sunnyside)
1. Tony Bennett/Bill Evans, The Complete Tony Bennett/Bill Evans Recordings(Fantasy)
2. Wes Montgomery, In the Beginning (Resonance)
3. Miles Davis, At Newport 1955-1975: The Bootleg Series Vol. 4 (Columbia Legacy)
Honorable mentions: Karrin Allyson, Many a New Day: Sings Rodgers & Hammerstein (Motéma); Chris Dingman, The Subliminal and the Sublime (Inner Arts Initiative), Chris McNulty, Eternal (Palmetto); Arturo O’Farrill & the Afro-Latin Jazz Orchestra, Cuba: The Conversation Continues(Motéma); Robert Glasper, Covered (Blue Note); Jonathan Kreisberg, Wave Upon Wave (New For Now); Duduka da Fonseca Trio, Jive Samba (Zoho)… and I may add some others as they occur to me.
The Aaron Diehl Interview – director’s cut
In November, DownBeat published a condensed version of my conversation with the brilliant young pianist Aaron Diehl, who some of you may know best as the accompanist and musical director for singer Cecile McLorin Salvant. A pianist of extraordinary refinement like, say, Ahmad Jamal, he can also swings as hard as Oscar Peterson, who was also an influence.
Aaron and I talked music for nearly three hours in his Harlem living room, as he sat at his Steinway grand illustrating his remarks with musical examples. DownBeat.com has just published an extended version of this Q&A, along with a sidebar about his exploits as a private pilot. Enjoy, then check out his playing on his recent album Space Time Continuum (Mack Avenue) and on Cecile’s recent album For One To Love (Mack Avenue).
Filed under Aaron Diehl, Cecile McLorin Salvant, Downbeat, Music Writing and Clips, Piano
And congrats to the amazing @CecileSalvant…
…for her 2nd #Grammys nomination in two years, this time for her 2nd album on @MackAvenueMusic, For One To Love, with the brilliant Aaron Diehl (piano), Paul Sikivie (bass) and Lawrence Leathers (drums). What a pleasure it was to write this profile of her, from the August 2014 DownBeat.
Newport 2015 – My Take (DownBeat, 8-7-15)
The first of two pieces about the 2015 Newport Jazz Festival.
Jazz Greats Gather at Jazz at Lincoln Center for Debut of New Jazz Record Label
What a swell party last night (6/30/15) at Jazz at Lincoln Center for launch of a new JALC-branded jazz record label, to be called Blue Engine Records. The turnout included these jazz masters and many more of the greatest musicians in New York, among them Christian McBride, Aaron Diehl, Nilson Matta, Ted Nash, Toshiko Akiyoshi, Lew Tabackin, and Catherine Russell. My report will be posted at DownBeat.com tomorrow (July 2).
My Profile of Cecile McLorin Salvant
After only one U.S. album release, she swept the 2014 DownBeat Critics Poll, winning not only Best Female Vocalist and Rising Star Female Vocalist, but, more unexpectedly, Jazz Album of the Year and Rising Star Jazz Artist. In person, she is whip-smart, a little shy, mature beyond her 24 years, and surprisingly modest about her gifts. I loved writing this interview, which you can read here.
Filed under Aaron Diehl, Cecile McLorin Salvant, Downbeat, Music Writing and Clips
You must be logged in to post a comment.