Imagine if Sarah Vaughan played saxophone like Dexter Gordon. That’s approximately the effect when the 35-year-old singer and tenor saxophonist Camille Thurman performs. She told me about her struggles with sexism and crippling self-doubt in my interview with her, from the March 2022 @DownBeatMag.
Tag Archives: Wynton Marsalis
Here’s my JazzTimes interview with Wynton Marsalis about channeling legendary cornetist Buddy Bolden, known as “the man who invented jazz,” for the film Bolden, which opens nationwide today (May 3, 2019). I recommend that everyone who cares about jazz see the film and check out the soundtrack. Wynton and colleagues did a brilliant job imagining what Bolden’s group sounded like – there are no existing recordings of them. He also recreated the excitement of a 1930s-era concert by Louis Armstrong & his Orchestra, with the help of the gifted actor-singer Reno Wilson as Pops.
It was quite a night: Harry Connick, Jr., Jon Batiste, Catherine Russell, Sullivan Fortner, Wynton, Branford and Jason Marsalis, among others, in “The Birth of Jazz: From Bolden to Armstrong” at the annual Jazz at Lincoln Center gala on April 17. My review for DownBeat.com.
The blues is the lingua franca on United We Swing: Best Of The Jazz At Lincoln Center Galas (Blue Engine), a new compilation of live performances featuring the Wynton Marsalis Septet. I spoke with Wynton recently about the new album for DownBeat.
At 56, Marsalis is among the youngest living artists ever inducted into the DownBeat Hall of Fame. If he had only been the leading trumpeter of his generation, there’s little doubt he eventually would have made it into the hallowed hall. But it’s his tireless work as an educator, bandleader, fundraiser, non-profit executive, and advocate for jazz and American culture that probably sealed the deal so soon. My interview with him, from the December 2017 DownBeat.
Pianists Sullivan Fortner (above), Aaron Diehl, Dan Nimmer, and two excellent student pianists from Julliard (Micah Thomas and Joel Wenhardt) rocked the “House of Swing” in “The Fantastic Mr. Jelly Lord,” the JLCO season opener at Jazz at Lincoln Center last weekend. My review in DownBeat.
Today I had the privilege of sitting down with Wynton Marsalis in his dressing room at Jazz at Lincoln Center for a DownBeat interview, five years after our first meeting. We talked about his career, his evolution as a musician and a human being, his hopes for the future. Article coming soon.
Here’s my report in DownBeat on the launch of Jazz@Lincoln Center’s new record label, Blue Engine. The first release will be the Jazz at Lincoln Center Orchestra w/Wynton Marsalis – Live in Cuba, coming in August.
Saxophonists Ted Nash and Joe Temperley are two of the instructors in Wynton Marsalis’ latest venture to make jazz more comprehensible to musicians and fans alike: Jazz at Lincoln Center’s new — and free — online Jazz Academy. You can read about it in my article from the January 2014 DownBeat.
My dinner with Wynton. OK, it was lunch. Great sushi and even better conversation. Here’s my interview/profile of him, as published in the December 2012 issue of DownBeat: “Wynton Marsalis – Profoundly Grateful” (DownBeat, Dec. 2012)