Tag Archives: Miles Davis

John Beasley Reflects on Miles, Herbie, and (of Course) Monk (JazzTimes, Jan/Feb 2021)

My latest for JazzTimes — Pianist @JohnBeasley is the Zelig of the jazz and pop music world, playing with everyone from Miles Davis and Herbie Hancock to Steely Dan, Carly Simon and Rickie Lee Jones, arranging music for American Idol, playing on James Bond movie scores, and serving as musical director for Jazz at the White House and International Jazz Day. But it’s his brilliant writing for the Grammy-winning MONK’estra that has won him his greatest acclaim. And he’s got a few stories… https://jazztimes.com/features/profiles/john-beasley-reflects-on-miles-herbie-and-of-course-monk/

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Filed under Donald Fagen, Herbie Hancock, John Beasley, John Patitucci, Miles Davis, Steely Dan, Walter Becker

Miles Davis’s Birth of the Cool – New Vinyl Box Set reviewed in DownBeat

It was a total joy to revisit these great sides in my review of the new vinyl box set for DownBeat.

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Filed under Gerry Mulligan, Lee Konitz, Max Roach, Miles Davis, Music Writing and Clips

The making of “Miles Ahead” – my DownBeat cover story (April 2016)

DonCheadle with his copy of DB

When Don Cheadle and Vince Wilburn, Jr., Miles Davis’s nephew, set out to capture Miles’s life on film, they had to figure out a “non-corny” way to do it. It had to be a film that Davis would have wanted to be associated with – not a traditional biopic.  And they had to get the music right. Which meant that Cheadle, already a competent jazz sax player, had to learn to play the trumpet well enough to play actual Davis solos. The score used a mix of original Davis recordings (Cheadle is playing along, but you hear Miles), and original music composed by Robert Glasper, featuring the gifted young trumpeter Keyon Harrold. For the DownBeat cover story, I had extensive conversations with Cheadle, Wilburn, Herbie Hancock, Miles’s first wife Frances Taylor Davis, Glasper, and Harrold. I loved the film, and I think I’m in good company (see Manohla Dargis’s review in the New York Times). I’d love to know what you think. You can read it here.

 

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Filed under Don Cheadle, Herbie Hancock, Keyon Harrold, Miles Ahead, Music Writing and Clips, Robert Glasper, Wayne Shorter

Don Cheadle on the red carpet, with his favorite mag…

DonCheadle with his copy of DB

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March 31, 2016 · 5:10 pm

“Miles Ahead” in the April 2016 DownBeat

02_Resized_April_2016_DownBeat_cover

My DownBeat Magazine cover story about the making of the new Don Cheadle film “Miles Ahead” has been mailed to subscribers and will be on newsstands next week. It includes interviews with director/star Cheadle, Herbie Hancock, composer Robert Glasper, and members of Miles’s family. Here’s the cover. To see a trailer for the film, go here: https://www.facebook.com/milesaheadfilm/

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Filed under Don Cheadle, Downbeat, Herbie Hancock, Keyon Harrold, Miles Davis, Music Writing and Clips, Robert Glasper

The Sound of Film to Come (The Guardian)

The Sound of Jazz to Come (Guardian)

Here’s my first piece for The Guardian: a look back on the history of jazz-on-film – the good, the bad and the ugly – pegged to the forthcoming release of two remarkable films about jazz. “Born to be Blue,” with Ethan Hawke as Chet Baker, opens March 25. Don Cheadle’s “Miles Ahead,” about you-know-who, opens April 1.

The article includes a list of my five favorite films about jazz and jazz musicians. The Guardian didn’t have room for my honorable mentions, but here they are:

  • Keep On Keepin’ On (2014) – poignant, inspirational documentary about the great trumpeter Clark Terry and his star pupil, the blind pianist Justin Kauflin;
  • Mo’ Better Blues (1990) – Spike Lee’s serious attempt to portray the lives of modern jazz musicians, with stirring music by the Branford Marsalis Quartet and Terrence Blanchard);
  • Ray (2004) – Taylor Hackford’s conventional but still exhilarating biopic about Ray Charles, with a pull-all-the-stops-out performance by musician/actor Jamie Foxx; and
  • Robert Altman’s Kansas City (1996) – Despite jazz being somewhat peripheral to the rather hackneyed crime story, it includes one of the best sequences of live jazz ever filmed, a cutting contest between Coleman Hawkins (saxophonist Craig Handy) and Ben Webster (saxophonist James Carter).

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Filed under Bing Crosby, Charlie Parker, Chet Baker, Clark Terry, Craig Handy, Dexter Gordon, Don Cheadle, Duke Ellington, Ella Fitzgerald, Louis Armstrong, Miles Davis, Nat King Cole, Robert Glasper

Don Cheadle on his new Miles movie, “Miles Ahead”

Cheadle is learning to play trumpet for the role.

In his forthcoming film about Miles, Don Cheadle is looking, as Davis did, for an “opportunity to play what’s not there.” My interview with Cheadle is now posted at DownBeat.com. http://bit.ly/1m3EQgB

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Filed under Don Cheadle, Downbeat, Miles Davis, Music Writing and Clips

Had a fascinating interview yesterday w/Don Cheadle yesterday…

Don Cheadle

…about his crowd-funded feature film on Miles Davis, which is about to begin filming. Look for Q&A soon @DownBeatMag.  See his Indiegogo page at http://ow.ly/yr767.

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Filed under Don Cheadle, Miles Davis, Music Writing and Clips