The Sound of Film to Come (The Guardian)

The Sound of Jazz to Come (Guardian)

Here’s my first piece for The Guardian: a look back on the history of jazz-on-film – the good, the bad and the ugly – pegged to the forthcoming release of two remarkable films about jazz. “Born to be Blue,” with Ethan Hawke as Chet Baker, opens March 25. Don Cheadle’s “Miles Ahead,” about you-know-who, opens April 1.

The article includes a list of my five favorite films about jazz and jazz musicians. The Guardian didn’t have room for my honorable mentions, but here they are:

  • Keep On Keepin’ On (2014) – poignant, inspirational documentary about the great trumpeter Clark Terry and his star pupil, the blind pianist Justin Kauflin;
  • Mo’ Better Blues (1990) – Spike Lee’s serious attempt to portray the lives of modern jazz musicians, with stirring music by the Branford Marsalis Quartet and Terrence Blanchard);
  • Ray (2004) – Taylor Hackford’s conventional but still exhilarating biopic about Ray Charles, with a pull-all-the-stops-out performance by musician/actor Jamie Foxx; and
  • Robert Altman’s Kansas City (1996) – Despite jazz being somewhat peripheral to the rather hackneyed crime story, it includes one of the best sequences of live jazz ever filmed, a cutting contest between Coleman Hawkins (saxophonist Craig Handy) and Ben Webster (saxophonist James Carter).
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Filed under Bing Crosby, Charlie Parker, Chet Baker, Clark Terry, Craig Handy, Dexter Gordon, Don Cheadle, Duke Ellington, Ella Fitzgerald, Louis Armstrong, Miles Davis, Nat King Cole, Robert Glasper

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