Tag Archives: Aaron Diehl

Cecile McLorin Salvant on gratitude, pandemics, awards, and what scares her (Jazziz Magazine, Jan. 2021)

“There’s something really exhilarating about doing something terrifying,” she said, talking about her latest project, Ogresse, her song cycle/performance piece, which she is trying to turn into an animated feature film. For my vocal jazz column in Jazziz Magazine (Jan. 2021 issue), the supremely talented @CecileSalvant, a recently minted MacArthur fellow, spoke to me from Miami, where she was spending the holidays. A beautiful person and artist.

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Filed under Aaron Diehl, Cecile McLorin Salvant, COVID-19, Jazziz, Sullivan Fortner

Separated by 50 Years, Israels, Diehl Find Common Ground (DownBeat)

Bassist Chuck Israels is 82, pianist Aaron Diehl is 33, but they have much in common, as they proved last week at Dizzy’s Club Coca-Cola at Jazz at Lincoln Center. Last week I did a joint interview with them for DownBeat, then reviewed their show. It was, for me, a personal reunion with both. I had previously profiled Aaron, whom I admire greatly, in Downbeat. The last time I saw Chuck was circa 1976, when, as a scruffy 21-year-old, I took his jazz workshop at SUNY Purchase.

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Filed under Aaron Diehl, Chuck Israels

Marsalis, JLCO Pay Tribute to Jelly Roll Morton

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Pianists Sullivan Fortner (above), Aaron Diehl, Dan Nimmer, and two excellent student pianists from Julliard (Micah Thomas and Joel Wenhardt) rocked the “House of Swing” in “The Fantastic Mr. Jelly Lord,” the JLCO season opener at Jazz at Lincoln Center last weekend.  My review in DownBeat.

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Filed under Aaron Diehl, Jazz at Lincoln Center, Jelly Roll Morton, JLCO, Sullivan Fortner, Wynton Marsalis

The Aaron Diehl Interview – director’s cut

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In November, DownBeat published a condensed version of my conversation with the brilliant young pianist Aaron Diehl, who some of you may know best as the accompanist and musical director for singer Cecile McLorin Salvant. A pianist of extraordinary refinement like, say, Ahmad Jamal, he can also swings as hard as Oscar Peterson, who was also an influence.

Aaron and I talked music for nearly three hours in his Harlem living room, as he sat at his Steinway grand illustrating his remarks with musical examples. DownBeat.com has just published an extended version of this Q&A, along with a sidebar about his exploits as a private pilot.  Enjoy, then check out his playing on his recent album Space Time Continuum (Mack Avenue) and on Cecile’s recent album For One To Love (Mack Avenue).

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Filed under Aaron Diehl, Cecile McLorin Salvant, Downbeat, Music Writing and Clips, Piano

My Profile of Cecile McLorin Salvant

cecile-mclorin-salvant-downbeat-1After only one U.S. album release, she swept the 2014 DownBeat Critics Poll, winning not only Best Female Vocalist and Rising Star Female Vocalist, but, more unexpectedly, Jazz Album of the Year and Rising Star Jazz Artist. In person, she is whip-smart, a little shy, mature beyond her 24 years, and surprisingly modest about her gifts.  I loved writing this interview, which you can read here.

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Filed under Aaron Diehl, Cecile McLorin Salvant, Downbeat, Music Writing and Clips