“In Canada once, a student asked me, ‘How do you reconcile what you want to play with what the audience wants to hear?’ And I said, ‘Man, as I get older, I really want to play music that people want to hear.’ I don’t even understand what the question is.”
It was quite a night: Harry Connick, Jr., Jon Batiste, Catherine Russell, Sullivan Fortner, Wynton, Branford and Jason Marsalis, among others, in “The Birth of Jazz: From Bolden to Armstrong” at the annual Jazz at Lincoln Center gala on April 17. My review for DownBeat.com.
Kurt Elling has always been one of our most cerebral jazz singers, which is not to say he doesn’t swing like a mother. Over lunch and several glasses of Montepulciano at his favorite neighborhood pizzeria on the Upper West Side…
…we talked for nearly three hours about his new album, The Questions (Okeh), which he describes as both a reaction to the era of division and vitriol brought on by the Trump Administration, and an attempt to rise above it and consider more cosmic matters. To that end, the album features shattering, modern interpretations of Dylan’s “A Hard Rain’s A-Gonna Fall” and Paul Simon’s “American Tune;” it also includes lyrics he adapted from favorite poems by Wallace Stevens, Franz Wright, and Rumi, among others. The album, co-produced by Branford Marsalis, is one of my favorite discs of the year. Our discussion appears in the June issue of DownBeat, but you can read it here.
You must be logged in to post a comment.