“Despite being at the crest of a 25-year career, during which he has been called ‘the standout male jazz vocalist of our time’ by the New York Times, among many other awards and accolades, he is modest about his achievements and self-critical to a fault. At one point in our conversation he blurts out, ‘Man, I sure wish I could sing better.’” My cover story from the May 2020 JazzTimes.
Category Archives: Kurt Elling
For the lead story on New York City in @DownbeatMag’s 25 Greatest Jazz Cities package (Feb. 2019), I spoke with musicians who run jazz clubs, like Spike Wilner and Matt Garrison (Shapeshifter Lab); other musicians who live here (Anat Cohen, Kurt Elling); and jazz label execs Don Was (Blue Note), Barney Fields (HighNote/Savant), Seth Rosner and Yulun Wang (Pi). Read it here.
Kurt Elling has always been one of our most cerebral jazz singers, which is not to say he doesn’t swing like a mother. Over lunch and several glasses of Montepulciano at his favorite neighborhood pizzeria on the Upper West Side…
…we talked for nearly three hours about his new album, The Questions (Okeh), which he describes as both a reaction to the era of division and vitriol brought on by the Trump Administration, and an attempt to rise above it and consider more cosmic matters. To that end, the album features shattering, modern interpretations of Dylan’s “A Hard Rain’s A-Gonna Fall” and Paul Simon’s “American Tune;” it also includes lyrics he adapted from favorite poems by Wallace Stevens, Franz Wright, and Rumi, among others. The album, co-produced by Branford Marsalis, is one of my favorite discs of the year. Our discussion appears in the June issue of DownBeat, but you can read it here.