Last summer, with the club and concert scene in the US and Europe shuttered and fear rampant, the sensational 30-year-old pianist @EmmetCohen managed to organize a tour of Europe for his NYC-based trio. Everywhere they went, they were told they were the only American band that had come over and performed. How did they do it? My news piece in DownBeat.
Category Archives: Louis Armstrong
Here’s my JazzTimes interview with Wynton Marsalis about channeling legendary cornetist Buddy Bolden, known as “the man who invented jazz,” for the film Bolden, which opens nationwide today (May 3, 2019). I recommend that everyone who cares about jazz see the film and check out the soundtrack. Wynton and colleagues did a brilliant job imagining what Bolden’s group sounded like – there are no existing recordings of them. He also recreated the excitement of a 1930s-era concert by Louis Armstrong & his Orchestra, with the help of the gifted actor-singer Reno Wilson as Pops.
If you’re free on Sunday afternoon, 2/5/17, join me for a look back at The Great Jazz Singers (Part 1) – From Satchmo to Lady Day. I’ll be speaking – and playing killer film clips – at the Freeport Memorial Library on Merrick Road at 2:30 pm, and it’s free.
Here’s my first piece for The Guardian: a look back on the history of jazz-on-film – the good, the bad and the ugly – pegged to the forthcoming release of two remarkable films about jazz. “Born to be Blue,” with Ethan Hawke as Chet Baker, opens March 25. Don Cheadle’s “Miles Ahead,” about you-know-who, opens April 1.
The article includes a list of my five favorite films about jazz and jazz musicians. The Guardian didn’t have room for my honorable mentions, but here they are:
- Keep On Keepin’ On (2014) – poignant, inspirational documentary about the great trumpeter Clark Terry and his star pupil, the blind pianist Justin Kauflin;
- Mo’ Better Blues (1990) – Spike Lee’s serious attempt to portray the lives of modern jazz musicians, with stirring music by the Branford Marsalis Quartet and Terrence Blanchard);
- Ray (2004) – Taylor Hackford’s conventional but still exhilarating biopic about Ray Charles, with a pull-all-the-stops-out performance by musician/actor Jamie Foxx; and
- Robert Altman’s Kansas City (1996) – Despite jazz being somewhat peripheral to the rather hackneyed crime story, it includes one of the best sequences of live jazz ever filmed, a cutting contest between Coleman Hawkins (saxophonist Craig Handy) and Ben Webster (saxophonist James Carter).