Milton Nascimento is one of the most singular Brazilian singer-composers of the last century. Antonio Adolfo, Rio’s great pianist, bandleader, and arranger – and no slouch in the composing department either – has explored his old friend Milton’s evocative harmonies and haunting melodies in an exquisite new album, made with the participation of some of Brazil’s most accomplished jazz musicians.
The album has been number one on jazz radio in the U.S. for three straight weeks, an unexpected and delightful surprise (to me, at least). Here’s my interview with Mr. Adolfo in DownBeat (including links to the music), just out today.
Six albums of Brazilian jazz and música popular brasileira illustrate more than the country’s musical diversity: They demonstrate how Brazil’s best songwriters and musicians—marinated in older forms like samba, choro, and bossa nova—are finding new ways to use that heritage to create fresh pop, rock and jazz. Read about Delia Fischer, Marcos Valle, Banda Black Rio, Antonio Adolfo, and two others here.
Antonio Adolfo performs at The Blue Note in Rio de Janeiro, Brazil, on Nov. 11. (Photo: Alexandre Moreira)
Although he may look more like a professor or kindly physician, Antonio Adolfo is, in reality, a killer pianist/arranger and master of samba jazz. In early November, the beginning of summer in Brazil, I went to the beautiful new Blue Note in Rio de Janeiro to get my samba fix. Adolfo led a septet that features some of the finest jazz musicians in Brazil. And then he introduced his guest, one of the great Bossa Nova singer/songwriters, Carlos Lyra. My story in DownBeat.