Category Archives: Downbeat

Singer Chris McNulty’s Exquisite, Heartbreaking CD, “Eternal”

Chris McNulty - Eternal1

(expanded version of CD review in the June 2015 DownBeat)

Chris McNulty

Eternal

Palmetto PM 2176

★★★★½

The heartbreak of losing one’s child is almost unfathomable. Singer Chris McNulty lost her son Sam McNulty – a.k.a. Chap One, a promising, jazz-influenced hip-hop artist – suddenly and tragically in 2011 at age 30. McNulty has put all she has learned over half a lifetime of jazz singing and songwriting into this exquisite chamber jazz CD, mining her pain, purifying its essence, and transforming it into an expression of haunted devotion.

The Australian-born, New York City-based jazz singer, well-known in her native country and a veteran performer on the international jazz scene, has an unaccountably low profile in the States. She has many gifts as a performer: a rich warm tone, an adventurous spirit, and a direct channel to the emotional core of a lyric. But, beyond the poignant subject matter, what makes this CD a milestone in her  recording career is the combination of McNulty’s talents with those of two expert collaborators: pianist/arranger John Di Martino and her fellow Australian, orchestrator Steve Newcomb, who leads an excellent chamber ensemble in sensitive, imaginative arrangements dotted with excellent solos by bassoonist Ben Wendel, flugelhorn player Matthew Jodrell, and McNulty’s husband John Bollenback on guitar. Di Martino’s occasional well thought-out piano solos are just about perfect.

The lyrics here are intensely personal, but the songs McNulty selected for this tribute album, after culling through hundreds of candidates, are not all dark. They include rarities like Steve Kuhn’s “The Saga of Harrison Crabfeathers,” striking arrangements of more familiar tunes like Billy Strayhorn’s “A Flower Is A Lovesome Thing” and “Nature Boy,” and a finely wrought version of Bob Dorough’s “Love Came On Stealthy Fingers.” They illuminate the grief, but also the joyful memories of a special child. Yet the very essence of the album is best expressed in McNulty’s one original, the intensely moving “You Are There” (not to be confused with Dave Frishberg’s song of the same name), which includes the lines, “Wherever I go, you are there / The scent of your soul, it will always be there.”  On this CD, McNulty bares her soul, and one doesn’t dare look away.

Eternal: The Saga Of Harrison Crabfeathers; A Flower Is A Lovesome Thing; What Are You Doing The Rest Of Your Life; Where Is Love; You Are There; Star Dust; Nature Boy; Yesterday I Heard The Rain; Love Came On Stealthy Fingers; On A Clear Day; With Every Breath I Take; Boulevard of Broken Dreams

Personnel: Chris McNulty, vocals; John Di Martino, piano, trio arrangements; Ugonna Okegwo, bass; Gregory Hutchinson, drums; Paul Bollenback, guitar (1, 10); Mazz Swift, Josh Henderson, Amanda Lo, violins; Trevor New, viola; Meaghan Burke, Marika Hughes, cellos; Jodie Rottle, flue, alto flute; Ivan Barenboim, clarinet, bass clarinet; John Morgan-Bush, French horn; Ben Wendel, bassoon; Matthew Jodrell, flugelhorn (3, 9).

Ordering info: chrismcnulty.com

Leave a comment

Filed under Chris McNulty, Downbeat

Gilberto Gil Salutes João Gilberto at New York’s Town Hall

Gilberto Gil at Town Hall in New York City on April 23 (Photo: ©Jack Vartoogian/FrontRowPhotos)

The sell-out crowd on April 23 was there for a heady dose of saudade for Brazil, and Gil, accompanying himself on guitar, delivered. My concert review in DownBeat

Leave a comment

Filed under Bossa Nova, Downbeat, Gilberto Gil, Joao Gilberto

Dave Stryker’s Soul-Stirring New CD, “Messin’ With Mister T”

4PAN1T1PKSTC

(Expanded version of review published in Downbeat Magazine, May 2015)

Dave Stryker
Messin’ With Mister T
Strikezone 8809
★★★★½

Guitarist Stryker, who in the last quarter century has released more than 20 albums, scored his best-selling album ever last year with Eight Track, his jazz interpretations of 70s pop and R&B hits. Now he’s back with an all-star tribute to his mentor Stanley Turrentine, with whom he played for a decade until the tenor giant’s death in 2000. His debt to Turrentine is obvious – this is where the accomplished, versatile Stryker really got his groove on. It is repaid here in full, in one of the most emotionally satisfying records of the year.

Turrentine, who was a master of phrasing and groove, might be the most blues-drenched jazz tenor player ever, yet he could also bring a level of harmonic sophistication rarely heard in the soul-jazz genre. His strong, confident, masculine voice on the saxophone suggested a depth of life experience, a grown-up sound played with authority. Like Dexter Gordon, he could dazzle you with technique if he wanted to, but he would rather impress you with his depth of feeling.

Messin’ With Mister T includes a gallery of 10 great tenor players, all of whom tip their hats to Turrentine while maintaining their individual voices. Yet the album serves equally as a showcase for Stryker’s soaring flights of melody and Jared Gold’s free-spirited virtuosity on Hammond, with excellent support from drummer McLenty Hunter and percussionist Mayra Casales. Stryker and Gold both go for broke here, building on a solid blues foundation, but, like their inspiration, taking it into more advanced, sometimes startling harmonic and rhythmic territory.

There are many standout performances: Houston Person’s easygoing take on the rollicking blues shuffle “La Place Street;” Jimmy Heath’s simple, magisterial ele-gance on Ellington’s “In a Sentimental Mood;” and Chris Potter’s show-stopping solo on Coltrane’s “Impressions,” to name three. Javon Jackson, Don Braden, Steve Slagle, Bob Mintzer, Mike Lee, Eric Alexander and Tivon Pennicott turn in equally strong performances. “Sugar,” Turrentine’s best known tune, is reimagined with a laid-back, loping, 6/8 feel, until the entrance of tenor ace Jackson, who waxes bop-eloquent over a 4/4 walking bass. Finally, Stryker brings it home by breaking out Turrentine’s familiar, soulful strut. Messin’ With Mr. T is an overdue, joyous homage to a master.

Messin’ With Mister T: La Place Street; Pieces of Dreams; Don’t Mess With Mister T; In a Sentimental Mood; Impressions; Gibraltar; Salt Song; Sugar; Sidesteppin’; Let It Go (70:36)

Personnel: Dave Stryker, guitar; Jared Gold, organ; McClenty Hunter, drums; Mayra Casales, percussion; Jimmy Heath, Houston Person, Eric Alexander, Chris Potter, Tivon Pennicott, Don Braden, Javon Jackson, Steve Slagle, Bob Mintzer, Mike Lee, tenor saxophones.

Ordering info: davestryker.com

Leave a comment

Filed under Dave Stryker, Downbeat, Music Writing and Clips, Stanley Turrentine

Can Jazz Musicians Make Money in the Age of Spotify?

Navigating the Digital Jungle

These days, it’s easier than ever for jazz artists to record, but harder than ever for them to monetize their recordings. For this article, published in the April 2015 DownBeat, I spoke with leading indie artists (e.g., guitarist Dave Stryker and drummer Willie Jones III), label executives and industry analysts. I wanted to find out how musicians are surviving in an age where music consumers prefer to stream their music for free, or nearly so, rather than buy CDs or download MP3s. Surprise: the news is not all bad.

Leave a comment

Filed under Allen Morrison, Dave Stryker, Downbeat, Jana Herzen, Jazz, Motema Records, Music Business, Music Business, Music Writing and Clips, Willie Jones III

Fusion Unplugged

Rez Abbasi

Rez Abbasi

Jazz guitarist Rez Abbasi, whose family came to Southern California from Pakistan when he was 4, grew up playing in bands that worshiped Van Halen, Rush, and other prog rockers. When he discovered Charlie Parker at age 16, he lost interest in rock in favor of bebop – acoustic music that swung.  As a result, Abbasi never listened to jazz fusion artists like Chick Corea, John McLaughlin and Weather Report – until now.

Abbasi’s new album Intents and Purposes (Enja) explores classics of the fusion era with a twist – everything is played on acoustic instruments by the Rez Abbasi Acoustic Quartet, including Bill Ware (vibraphone), Stephan Crump (bass) and Eric McPherson (drums).  The results are beautiful and amazing. Even if you don’t like fusion, perhaps especially if you don’t like it, this album is a must-hear. My profile of Rez from the March 2015 DownBeat is here. You can hear a few samples from the album and view a “making of” video here.

Leave a comment

Filed under Downbeat, Music Writing and Clips, Rez Abbasi

Chick Corea: The Music Defies Words (DownBeat, Dec. 2014)

Chick Corea – NEA Jazz Master, DownBeat Hall of Fame member and 20-time Grammy winner – remains one of the most versatile, productive and recorded pianist-composers in jazz, nearly 50 years after he recorded his first solo album at age 25 (that was 1966, to be exact). He just won the DownBeat Artist of the Year award in this year’s Readers Poll, and I had the joy of interviewing him about his life and career.  It’s in the December issue of DownBeat, or here.

Leave a comment

Filed under Chick Corea, Downbeat

At 80, Bossa Nova Pioneer João Donato Is Not Slowing Down

joao_donato-in-tiradentes

Joao Donato performing in Tiradentes, Brazil, October 2014

Bossa Nova icon João Donato played and wrote with everybody, from Jobim to Gilberto to Chet Baker and Tito Puente. And at 80, he’s not slowing down. This was one of my all-time favorite interviews. To see why, see the article.

Leave a comment

Filed under Bossa Nova, Brazilian music, Downbeat, Jazz, Joao Donato, Music Writing and Clips

Paquito D’Rivera & Trio Corrente Light Up MIMO Fest in Brazil

paquito-trio-correnteDid I mention that I went to Brazil last month to cover the MIMO Festival for DownBeat? No? I’ve been a bit behind in updating this blog, which I’ll try to correct in the coming days. I visited two of the four festival sites: the historic colonial cities of Paraty and Tiradadentes, with a few days off in between to enjoy Rio.

One of the musical highlights in Paraty was the Sunday evening concert by NEA Jazz Master Paquito D’Rivera and the flat-out brilliant Sao Paulo jazz group called Trio Corrente that closed the Paraty portion of the festival. Their first album together, Song for Maura, won the 2014 Grammy for Latin Jazz Album of the Year. DownBeat Magazine has just posted my review – the first of three pieces I’m doing for them on the festival.

Leave a comment

Filed under Downbeat, Paquito D'Rivera, Trio Corrente

Bob Dorough, 90, Is Still Hip

Bob Dorough at Jazz@Kitano, August 2014One goes to hear a 90-year-old jazz artist willing to make a few allowances. In the case of bebop singer/pianist/songwriter Bob Dorough, however, no allowances are necessary, as he proved in his Aug. 16 engagement at Jazz at Kitano. You can read my rave here.

Leave a comment

Filed under Bob Dorough, Downbeat

My Profile of Cecile McLorin Salvant

cecile-mclorin-salvant-downbeat-1After only one U.S. album release, she swept the 2014 DownBeat Critics Poll, winning not only Best Female Vocalist and Rising Star Female Vocalist, but, more unexpectedly, Jazz Album of the Year and Rising Star Jazz Artist. In person, she is whip-smart, a little shy, mature beyond her 24 years, and surprisingly modest about her gifts.  I loved writing this interview, which you can read here.

2 Comments

Filed under Aaron Diehl, Cecile McLorin Salvant, Downbeat, Music Writing and Clips

My review of Newport Jazz Festival in DownBeat – Part 2

Dee Dee Bridgewater & band at Newport, August 1, 2014

Here’s the second installment of my two-part review of the 2014 Newport Jazz Festival for DownBeat. It’s my take on the special Friday night concert by Wynton Marsalis, the Jazz at Lincoln Center Orchestra and Dee Dee Bridgewater.

Leave a comment

Filed under Dee Dee Bridgewater, Downbeat, Jazz at Lincoln Center, Newport Jazz Festival, Wynton Marsalis

Thrilled to say I’m covering 60th anniversary of Newport Jazz Festival…

…for DownBeat. Here’s a great read abt it. #Newportjazz” http://ow.ly/zFavN

Leave a comment

Filed under Downbeat, Newport Jazz Festival

Don Cheadle on his new Miles movie, “Miles Ahead”


Cheadle learning to play trumpet for his role as Miles Davis.

In his forthcoming film about Miles, Don Cheadle is looking, as Davis did, for an “opportunity to play what’s not there.”  Here is the full article, as published in the April 2016 DownBeat.  https://allenmorrison.com/wp-content/uploads/2016/04/troubled-genius-the-making-of-miles-ahead-downbeat-april-2016.pdf 

Leave a comment

Filed under Don Cheadle, Downbeat, Miles Davis, Music Writing and Clips

Two Bossa Nova Masters Meet at Birdland

image

Marcos Valle at Birdland (photo: Fran Kaufman)

Two of the founders of Brazil’s Bossa Nova movement (and it was a movement), Marcos Valle and Roberto Menescal appeared together in NYC for the first time recently.  Even if you don’t know their names, I’ll bet you know some of their tunes. Just got around to posting my review from DownBeat.com.

Leave a comment

June 20, 2014 · 11:05 am

Just wrapped a profile of Cecile McLorin Salvant…

Cecile @JALC… for a future issue of DownBeat. Get a taste here: http://ow.ly/xcBH3

Leave a comment

Filed under Cecile McLorin Salvant, Downbeat, Music Writing and Clips

Bassist/Composer Rufus Reid – Still Evolving

Rufus Reid

Rufus Reid

Early in his career, the now-legendary bassist Rufus Reid taught his first bass clinic at a college in North Dakota, using a textbook written by the great Ray Brown.  When he rejoined his boss and mentor, saxophonist Eddie Harris, on the road, he told Harris, “I sold 25 Ray Brown books today.” Harris replied, “That’s great. Why don’t you write your own damn book?”  He did — and his The Evolving Bassist has been a leading bass instruction book for the last 30 years.  Reid is now an award-winning big-band composer. You can read my article about Reid’s life, from the June issue of DownBeat, here.

Leave a comment

Filed under Downbeat, education, Jazz, Music Writing and Clips, Rufus Reid

Jazz@Lincoln Center’s 2014 Gala, Reviewed

Cecile at JALC GalaAt the Jazz@Lincoln Ctr Gala, Cecile McLorin Salvant & 10-yr-old Joey Alexander from Bali were among the amazing. My review in DownBeat:

http://bit.ly/1nZRhLL

Leave a comment

Filed under Cecile McLorin Salvant, Downbeat, Jazz at Lincoln Center, Music Writing and Clips

Pianist Alan Broadbent Dazzles at Brooklyn’s The Drawing Room

Alan Broadbent

The most orchestral of jazz pianists, Alan Broadbent is incredibly under-appreciated. His two sets last week at Brooklyn’s Drawing Room evoked admiration, wonder, and occasional despair among the other pianists present. Here’s my review in DownBeat.

Leave a comment

Filed under Alan Broadbent, Downbeat, Music Writing and Clips

Stacey Kent’s album “The Changing Lights”

My review in DownBeat.

Leave a comment

Filed under Downbeat, Jazz, Music Writing and Clips, Stacey Kent

Craig Handy – Serious Fun (from DownBeat, March 2014)

Craig Handy

Craig Handy (photo: Vincent Soyez)

Until recently, tenor saxophonist Craig Handy was touring with jazz diva Dee Dee Bridgewater.  “I really grew to love him,” Dee Dee says. “When I’d introduce him, I’d say, ‘This is my Handy-man. Anything I need, he can fix it!’ He was quite a lady’s man—quite a charmer. He was eye candy for women—big, strapping dude. So I had fun playing with him, playing into the fact that he was good-looking, hamming it up. And he really got in on the act.”

Now Handy has returned as a leader with a new album on OKeh Records (Sony) called Craig Handy and Second-Line Smith. Handy describes the project as “the Jimmy Smith Songbook re-imagined as a high-energy blend of a contemporary jazz quintet and second-line brass band. ‚The sound is rooted in tradition and innovation.”  It rocks.  Loved writing this article, which was featured in the March 2014 edition of DownBeat.

Leave a comment

Filed under Craig Handy, Dee Dee Bridgewater, Downbeat, Music Writing and Clips